Lucas Liccini

Revivals & Renditions. MA Grad Project, University of the Arts Berlin
(exploratory digitisations for research purposes only, not available commercially…)

Alessandrini 7 was designed by Jean Antoine Alessandrini and released by Hollenstein in 1972.

Type Here

Billy Beck is a rendition of Billy Beck System, designed by William Beck for VGC, date unknown.

Visual Graphics

Including lowercase characters, Boton is a rendition of Black Boton (1970), designed by Albert Boton. It was issued by Hollenstein and reissued digitally by Monotype (caps only) in 1997.

Albert Boton

Chariot is a slanted display typeface of unknown origin (found on e-daylight.jp).

Origin Unknown

Crowbar is listed in Mecanorma’s Graphic Book 14 (1988) and credited to M. Dolman.

Klingspor Archive

Damon is a rendition of Zenedipity by Ed Benguiat for Photo-Lettering (listed in 1965), also issued as Dante by Lettergraphics in 1968.

Ed BENguiat

Bizarre is sourced from specimen books of Shniedewend & Lee (1888, Chicago) and MacKellar, Smiths & Jordan (1892, Philadelphia).

Clarence P. Hornung

Egide was designed by Patricia Sicre and issued by Mecanorma as a contest winner in 1972.

Mecanorma

Globe was created by Bogdan Żochowski and released in 1979 by Mecanorma.

Bogdan 1979

Heigemeir was designed by Franz Heigemeir and released by VGC.

Franz Heigemeir

Horizontal was designed by Max Miedinger released by Haas as an all-caps font in 1965. An original lowercase has been omitted from previous versions.

Helvetica

Horseman (designer, date and foundry unknown) was found in Alphabete 2, published by Novum Press.

alphabete

Hypnos was designed by Jean Antoine Alessandrini for Hollenstein in 1969 and shown in their 1974 catalog (no caps).

hollenstein 1974

Leporello is a rendition of Poppl-Leporello by Friedrich Poppl, released in 1977 by Berthold.

Friedrich Poppl

Oliver is listed in B. Bauermeister’s A Manual of Comparative Typography: The PANOSE System (designer unknown, published by TypeSpectra 1981).

Panose System

Priam (all caps, without numerals) was designed by Jean Antoine Alessandrini for Hollenstein in 1976.

Alessandrini

Sanditype was designed by Steven Mark Bernstein for Photo-Lettering in 1969.

STEve BerNstein

Shark was designed by Walter Haettenschweiler in 1974, shown in the revised edition of Lettera 2.

Walter Haettenschweiler

Solitaire was designed by John Walter Denzler and released by VGC among fifteen winners of a competition in 1965.

John Denzler 1965

Square Gothic was released by Ludlow (ca. 1920) and most likely designed by Robert Wiebking, since he worked Ludlow at the time. Others sources credit Robert H. Middleton.

Laclede Robert

Strada was created by Walter Haettenschweiler, shown in Lettera 3 (1967).

Lettera One Two Three Arthur Niggli

Tangent was designed by Carbalade Delfant for Hollenstein in roughly 1974.

Carbalade Delfant

Thompson is a rendition of Thompson Pegasus, listed in Photo-Lettering’s Alphabet Thesaurus Vol. 1 (1960).

Thesaurus 1960

Triom, a 1973 Mecanorma contest winner, was designed by Jacques Loison, without caps.

jacques loison

Vanderburg is a rendition of a nameless art nouveau alphabet from the Rotterdamsche Schilderschool, collected by A. R. van der Burg at the beginning of the 20th century.

Schilderschool

Ventura is shown in Photo-Lettering’s Alphabet Thesaurus Vol. 2 (2nd printing, 1970), designer unknown.

Ventura Lettering

Vulcain was released by Fonderie Typographique Française (designer unknown) and is attributed to the period between the wars (1918–1939).

Typographique

WTC 145 was designed by Tom Carnase and released in 1983 by World Type Center (WTC) in four weights with italics. This is a rendition of the regular italic cut.

Tom Carnase

Zürich was designed in 1954 by Alex Stocker and Hans Gruber, shown in Lettera 1, published by Arthur Niggli (1954).

Altdorf

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Revivals & Renditions. MA Grad Project, UdK Berlin
(exploratory digitisations for research purposes only,
not available commercially…)